IMAGO VIDEO FEST- at LILIMEI

IMAGO VIDEO FEST- International Video Art Program at LILIMEI as Part of "Loving Art, Making Art

My video work "It just makes sense..." is part of it"

As part of the annual "Loving Art, Making Art" events, LILIMEI—a space for encounters, development, and inspiration in North Jaffa—presents IMAGO VIDEO FEST, a compelling international video art showcase exploring the dialogue between the written word and the moving image. My work “It just makes sense” is part of it.

Originally created by the curators of Grosso Modo's IMAGO Festival and premiered in 2023, the curated screening brings together 24 artists from 14 countries. Through diverse visual, textual, and sonic languages, the works investigate how language transforms into motion, symbol, and screen-based narrative.

Date & Time: Friday, November 12, 2026, at 19:00

Venue: LILIMEI, Yo’ezer Ish HaBira 7 A, The Greek Market, North Jaffa

Admission: Free

 

“What if….”

“What if….” exhibition

06/11/ - 09/11/2026

Photobook

Opening Times:

Mon. to Fri.: 8am - 10.30pm Sat.: 10am - 10pm Sun.: 10am - 9pm

4 Leonard Circus, London, EC2A 4DQ, UK

When discussing how images can recreate what we imagine, have photographers or artists ever had a moment when a single image opens the door to a "what if"?

What if I could preserve a decisive instant as a lasting memory? What if the image could propose a perfect scenario?

What if I could express something or someone through the act of photography itself? If an image has the power to create impact, then what kind of impact might it generate? Through photographic and image-based works, this exhibition explores these possibilities.

Curator: Jenny Ping Lam Lin

My “What If”: (Photography / Original Work 60x40 cm)

The “what-if” scenario can raise the following questions and simultaneously allow for the following interpretations:

A) What would happen if I turned on the tap and let the water run because I was thirsty, wanted to wash my hands or mop the floor, or simply because I had the foolish idea of flooding the floor and the room for no reason?

B) Would water even flow if I turned on the tap? Could the water supply be shut off for some reason, for example, due to a water shortage?

C) If I could stand there for more than 10 minutes, how often would I ask myself: Should I turn on the tap because I need water? Should I not turn it on because there's no reason to?

D) If I turned on the tap and did something, like drinking or washing my hands—which would take me at least a minute—what would happen afterward? How would my life unfold? If I don't open the crane and simply continue with my business, what will be the fate of my life?

 

BIDEODROMO

The video work “Circadian Silence” is presented at

BIDEODROMO

INTERNACIONAL EXPERIMENTAL FILM AND VIDEO FESTIVAL

20/10 – 29/10/2026

Various venues in the city of Bilbao

Hika Ateneo: Eskola zumarkalea, 1

Kuna: Urazurrutia kalea, 3

CMD San Francisco: Mariaren Bihotza plaza, z/g

Bilbao, Spain

BIDEODROMO is an international festival, open to experimental films of all kinds. Documentary, narrative, animation, video art and other genres are wellcome. BIDEODROMO is the node in the Basque Country for an internatioonal network of experimental film and video. Our intention is to promote meetings, learning and cultural exchange through cinema

“Circadian Silence” is an audiovisual work created in collaboration with the French scientist and visual artist Natalie Launay (Escaldes-Engordany, Andorra). The work invites to listen to the invisible rhythm that unfolds within every living being — a time that breathes inside our cells, beyond clocks, measures, and productivity.

The work is composed from genetic sequence of the CLOCK gene, one of the master regulators of circadian rhythm — the molecular clock that governs the alternation of day and night, wakefulness and rest. Its sequence becomes a transcription of life’s inner temporality.

 

Featured in *Edge of Humanity Magazine*

 Featured in *Edge of Humanity Magazine*

Joecly Kay, editor and curator of *Edge of Humanity Magazine*, contacted me some time ago to ask if the magazine could feature my photography project "Urban Structures." The project has now been published as photo essay in the magazine under the title "A Different Perception of The Urban Landscape," comprising a selection of ten photographic works—chosen from a total of eighteen—along with an accompanying text.

Edge of Humanity Magazine is an independent, non-discriminatory platform focused on publishing works that explore the human condition. Since 2014, in addition to a vast collection of photography and art, we have also featured both fictional and non-fictional works.

The portfolio and project "Urban Structures" currently comprises 18 photographic works in black and white in portrait format. None of the works has a specific title, but are named after the portfolio and project, supplemented by a number from 1 to 18. Each photographic work is divided into three sections: an upper one, a narrow middle one, and a lower one. All three sections within the work show different detailed motifs of objects, architectural fragments and spaces located in urban areas.All three sections of the work depict different, detailed motifs of objects, architectural fragments, and spaces in urban areas. With the exception of two works, the three sections present motifs from at least two and at most three different cities. The creators, builders, users, and passersby—in other words, citizens—of these fragmented objects and spaces do not appear. The images depict cities such as Berlin (DE), Yerevan (AM), The Hague (NL), Prague (CZ), Milan (IT), Liege (BE), Eberswalde (DE), Tokyo (JP), Kolkata (IN), Dhaka (BD), Quito (EC) and Toronto (CA). 

https://edgeofhumanity.com/2026/10/01/a-different-perception-of-the-urban-landscape/

“Circadian Silence” at ALC

“Circadian Silence” at ALC

“Circadian Silence” is an audiovisual work I created in collaboration with French scientist and visual artist Natalie Launay (Escaldes-Engordany, Andorra). The work is being presented at the...

ALC Video Art Festival

The festival takes place at two museums in the Spanish city of Alicante:

September 30 – October 3, 2026

MACA (Museo de Arte Contemporáneo de Alicante) serves as the official festival venue, where the works are screened regularly.

September 25 – October 10, 2026

MUBAG (Museo de Bellas Artes Alicante) presents the same program in its “Art Window” in a non-stop format. This innovative concept brings art out onto the street, directly to the audience.

Curator

David Delgado

"Meeting Your Land"

"Meeting Your Land"

My video work "Fields Of Home" will be presented as part of "Meeting Your Land"—an international group exhibition of photography and video held at multiple locations—from 3 - 25 October 2026, in the towns of Zafferana, Pedara, Viagrande, and Milo, all situated in the Mount Etna region of Sicily (Italy).

Meeting Your Land is a multi-venue collective exhibition by artists working with eco-embodied, site- responsive, and place-based methodologies.

Images and videos will be shown across multiple venues in the province of Catania, in various villages located between the sea and the Etna Volcano, transforming the territory into a living exhibition space.

Through this encounter, the exhibition fosters shared ways of sensing and inhabiting land, cultivating connections between artists, audiences, and the living environments they engage with, while opening a reflective space attuned to the vitality, textures, and stories of both near and distant terrains.

By gathering and connecting artworks rooted in diverse territories, the exhibition becomes a meeting of geographies, sensuous vocabularies, and embodied perspectives resonating with one another, thus viting audiences to sense, inhabit, and reflect upon both near and distant lands

 

9th Graphic Art Biennial of Szeklerland “Distortion”

My graphic work "Distortion Of Myself" is being presented at the Transylvanian Art Centre in Sfântu Gheorghe (Romania) as part of the 9th Szeklerland Graphic Art Biennial.

9th Graphic Art Biennial of Szeklerland

“Distortion”

30.09 -29.11.2026

Szekler Museum of Ciuc,

Vár tér 2. 530132 Miercurea-Ciuc, Romania

01.10 – 21.11.2026

Transylvanian Art Centre / Sepsiszentgyörgy

Str. Oltului nr. 2 / Str. 1 decembrie 1918, 5700023, Sfântu Gheorghe, Romania

The 9th edition of the Graphic Art Biennial of Szeklerland focus the concept of “distortion”. Distortion is an extremely multifaceted and complex phenomenon: it may refer to physical deformation, psychological displacement, or even metaphorical, axiological, and moral deviation. The term simultaneously carries a subtle value judgment and a critical charge, pointing to the distruption of harmony, states of alienation, as well as the crises and conflicts that define our contemporary world. In today’s political and social context, “distortion” is particularly relevant: fundamental principles, meanings, and truths are shifting away from their original purpose, sliding toward new interpretations.

In contemporary art – including contemporary graphic art – distortion is not merely a formal or geometric deformation, but a complex expressive tool that enables the articulation of conceptual tensions, critical reflections, and visual inquiries. In the artist’s hands, distortion becomes a communicative strategy: through the deliberate deviation of reality, it opens up new perspectives, prompts the viewer to question, and challenges conventional frameworks of interpretation.

Through the concept of distortion – as one of the most powerful expressive tools in today’s artistic discourse – the Graphic Art Biennial of Szeklerland aims, in 2026, to encourage active inquiry and critical reflection among artists. Using contemporary visual language, artists are invited to reflect on the fragility of human perception, social and political pressures, the mutability of historical narratives, and the instability of truth. Through a wide range of graphic techniques, participants are encouraged to experiment with various forms and layers of meaning inherent in the distortion of reality