“Frequenz” (Frequency)

Two of my works, a photographic work “Frequencies in Lines” and the video work “Birch Alley”, will be presented at:

“Frequenz” (Frequency)
23/03/2025 – 13/04/2025 -opening 23/03/25, 14 h
QQArt
Forststrasse 73, 40721 Hilden, Germany

The private cultural center is celebrating its 25th anniversary. Starting as an art school, it has evolved into a venue for art, music, theater, film, and much more from the cultural scene. Since 2010, the QQArt gallery has hosted an annual, internationally thematic exhibition – now a biennial – every two years. The selected themes focus on "art and technology," each featuring a word from physics. This year's exhibition theme is "Frequency." (Frequency)

KITOKI video_dance exposition

 Two works “View behind the Curtain” and “Dark Paths” are presented at KITOKI video-dance exposition in Brussels, Belgium

KITOKI

video_dance exposition

23/02/2025 – 05/04/2025 opening 23/03/25 ,18-21h

auJUS /Avenue Jean Volders, 24 / Brussel 1060 / Belgium

open 16-20 h and by appointment / also online: kitoki.io

“View Behind The Curtain” was made in collaboration with Jana Schmück (Bautzen, Germany) and “Dark Paths” in collaboration with Tsai Hsin Ying (Kaohsiung, Taiwan)

In an era where artistic expression and social equity are increasingly vital, the Kitoki Foundation emerges as a catalyst for creativity and collaboration. Our mission is to foster a vibrant community that celebrates diversity through the dynamic interplay of dance, art, and shared knowledge.

Video dance festival: local in person exhibitions and online gallery and networking for developing VideoDance as a genre in contemporary art.

“Same but Different – Equinox to Equinox”

 I will be performing at “Same but Different – Equinox to Equinox” – a short performance festival

Time: Sunday 23 March 2025 from 13:00 to 14:00

Location: Het Hof Square in Dordrecht, Netherlands

There is no fixed programme with consecutive performances but everything takes place simultaneously, collaborations can arise spontaneously.

Participants so far: Topp&Dubio, Annie Abrahams, Engel P-Luck, Frans van Lent, Marita Bullmann, Eduardo Amato, Yelena Myshko, Irmgard Himstedt, Gernot Bogumil, Yvo van der Vat, Jolanda Jansen, Kathrin Wolkowicz, Johannes Christopher Gérard, Roland Farkas, Yvette Teeuwen, Thomas Reul, selina bonelli, Ienke Kastelein, Ellen Rodenberg, Maarten Schepers and more.

However everyone is welcome to participate in openness and solidarity, embracing diversity and acknowledging each other’s individual circumstances, difficulties and conflicts.

Curator/ Organizer Frans van Lent

MATA HARI, - OUVERTURE CRI DE FEMMES 2025

 

My video work “Dark Paths” with Tsai Hsin Ying is presented at

MATA HARI, - OUVERTURE CRI DE FEMMES 2025

13/03/2025 - 31/03/2025

Galerie Emergenc'Art,

Entrée de Valombreuse, Petit-Bourg, Guadalope

MATA HARI is a prism, a gateway. Entirely subversive, the aim here isn't to celebrate her history, but to question all the small, common and redundant stories within our own, without trusting in the universal. Women in struggle are everywhere.

Curator: Stéphanie Melyon-Reinette

“Collage Music 31” - “Agua y Grava”

 “Collage Music 31”

My sound and music piece “Agua y Grava” (Water and Gravel) is included in the album Collage Music 31” (edition IFAR4’33”/277), Label Institute For Alien Research, Bath, UK

Released on February 21th, 2025.

Compiled and arrange by Shaun Robert.

More information:

https://ifarmusiqueconcretecompilation.bandcamp.com/album/collage-music-31

“Agua y Grava” (Water and Gravel)

The work does not follow a particular style or category. The piece combines the sounds of water and waves flowing over gravel and rhythms of a piano, forming a piece of music.

The Anthropocene Foundry Los Angeles 202

 My video work “disorientated displacement” is part of:

The Anthropocene Foundry Los Angeles 2025

January 18^th – March 1^st. 2025

Tuesday – Saturday 11am - 5pm*

Torrance Art Museum, 3320 Civic Center Drive, Torrance, CA 90503, USA

The Anthropocene Foundry Los Angeles 2025 – is consisting of 6 video programs, for each week another program composed of 2 parts. The sources for curating/selecting - of thematic and technical nature alike - are standing under the motto of “Finiteness /Infinity”:

The Anthropocene Project, including about 500 international artists, created and curated by Wilfried Agricola de Cologne for The New Museum of Networked Art - dealing with the human impact on nature and the natural living environment manifested in two comprehensive media collections – video art & sound art, and focused on animation, e.g. animate’C24 – the retrospective of Cologne Art & Animation Festival (2010-2025) pointing to the human impact in terms of the artistic creation itself. The video artists composing different types of self-created footage, partially using the latest technology (artificial intelligence), are based on a specific subjective view on the Big Creation (our world) forming new types of reality of the world they are living in. They do not only reflect the existing but go far beyond to visions of the future referring to the finiteness of life as well as the infinity of the Creation. By being confronted with, the audience @ Torrance Art Museum becomes the foundry of a new human existence, at least in the imagination.

Thanks to the curator Wilfried Agricola de Cologne

Singletary Center Visual Music Festival;

 Singletary Center Visual Music Festival;

Saturday February 8^th , 10am – 5pm;

Singletary Center for the Arts, University of Kentucky; 

405 Rose St, Lexington, KY, 40506, USA

My work "q9" is presented

The Singletary Center presents the inaugural Visual Music Festival in the SCFA Recital Hall. Join us for a day of dynamic expressions of abstract art featuring a curated program of multimedia works from an international collection of contemporary artists. Experience the harmonies of light and sound as we explore what goes on in the mind while listening to music!

The films are made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • The soundtracks do not feature any words, lyrics in any language.