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Mittwoch, 5. Februar 2025

Singletary Center Visual Music Festival;

 Singletary Center Visual Music Festival;

Saturday February 8th , 10am – 5pm;

Singletary Center for the Arts, University of Kentucky; 

405 Rose St, Lexington, KY, 40506, USA


My work "q9" is presented

The Singletary Center presents the inaugural Visual Music Festival in the SCFA Recital Hall. Join us for a day of dynamic expressions of abstract art featuring a curated program of multimedia works from an international collection of contemporary artists. Experience the harmonies of light and sound as we explore what goes on in the mind while listening to music!

The films are made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • The soundtracks do not feature any words, lyrics in any language.









Dienstag, 4. Februar 2025

MOVEMENT AND LIGHT

My video work “nothing will stay as it was” will be screened on February 6, 2025 at

MOVEMENT AND LIGHT

with film and video contributions from 61 filmmakers


Film and video screenings on four different days

06. Feb.- 13.Feb. - 20. Feb.. - 27.Feb. 2025 always starting 18.00 h

Team GISELA,

GISELA-Freier Kunstraum-Lichtenberg,

Giselastraße 12,

10317 Berlin, Germany

Directions: S-Bhn. Nöldnerplatz /Bus 240 Open Tues.-Fri. 10am-4pm, Thurs. 10am-6pm, Sat. 2pm-5pm, Sun. and Mon. closed


nothing will stay as it was 

2024 / 5:52 min. /16:9 /sound stereo / color & b/w The work aims to approach the concepts of light and movement from a different perspective. The light segments in this video are formed by sunlight falling on the floor of a room divided by a window with lattices. The light fields move almost unnoticed, changing their direction and shape as the sun moves. Nevertheless, the sunlight forms a striking, firmly delimited light space on the floor. The second movement element has a kind of mechanical-repetitive character and is performed by a person. The light fields, empty at the beginning, are filled with objects such as stones, small branches and leaves. The person changes the spatial scenery by removing, replacing or placing something differently. Light and shadow shape the character of the object and field. A third movement, which is not visible but noticeable, are the sections of “empty time” between the actions and yet progresses







Samstag, 1. Februar 2025

Transforming: Here and Now

The exhibition “Transforming Here and Now” presents a selection of eight photographs from my socially and community-engaged art projects.

Transforming: Here and Now

31.01.2025 – 07.02.2025

Groundfloor, Faculty of Arts Building, University of Warwick, University Road, Coventry CV4 7AL ,UK

The exhibition illustrates how individuals and communities assert their agency through environmental initiatives and creative expressions, from community-building environmental projects to reflections on urban, rural, and virtual spaces. These diverse works offer multi-layered perspectives on how different environments foster self-expression and social engagement in our rapidly evolving world. The exhibited works span diverse media and geographies, reflecting urgent social and environmental concerns across the globe. Through various artforms, the artists engage with themes of resistance, identity, and ecological justice. From grassroots activism to digital spaces, their works reveal how communities navigate and transform their environments in pursuit of change and a better future. The exhibition is presented alongside the After Postcolonialism: Global Theory, Local Transformations conference, which brings scholars together to examine the intersection of postcolonial theory and lived experience.

Transforming: Here and Now is an art exhibition featuring canvas art, photography, installations, and video works by twelve international artists: Ann Chang, P.A. Echague, Francesca Mauricio, Manesa Hulia Diaz, Joannes Christopher Gerad, Vardit Goldner, Joe Li, Natalie Lo, Alexandro Casales Navarrete, Moses Sodipo, Konstantina Tompoulidou, and Ngo Chun Tse.

Thank you to the curatorial team












Donnerstag, 30. Januar 2025

childhood interrupted

 

My work hopscotch” is represented in the group exhibition


childhood interrupted

01/02/2025 - 01/03/2025

The House of Smalls

103 Henderson Row,Stockbridge, Edinburgh EH3 5BB, Scotland, UK


~ childhood (noun):

the condition of being a child; the period of life before puberty

~ interrupted (adjective):

broken, discontinued, or hindered

Curator Amy Oliver

The work features a drawing of a hopscotch game on broken street and disused rails. The road and rails give the impression that you will fall down the horizon if you hop too far. Everything is surrounded by dark blocks, with a small piece of sky in between. The whole scenery is metaphorical and symbolizes how quickly a childhood can end, be interrupted and disrupted. However, the work contains autobiographical elements about my own childhood and how my childhood and innocence ended after certain experiences. In my childhood. I early became a cynical, doom-thinking, distrustful child who kept my distance from other children and adults.





Montag, 27. Januar 2025

LATITUDES 2025

The presentation of my video performance “meaning to be hidden” has been scheduled to be screened from Jan. 28 to Feb. 01, 2025 at LATITUDES 2025, at the Gallery of the Centro de la Cultura Plurinacional, CCP. Calle Rene Moreno #369, Santa Cruz de la Sierra, Bolivia,

LATITUDES 2025

28.01.2025 – 01.02.2025

Venues and hosting organizations: Centro de la Cultura Plurinacional (CCP), Museo de Arte Contemporáneo (MAC), Museo de la Ciudad Altillo Beni (MAB) and Alliance Francaise Santa Cruz (AFSCZ),

City of Santa Cruz de la Sierra, Bolivia,

Festival Internacional de Performance Art de Santa Cruz de la Sierra, and Performance Art Bolivia (PABA)The program of the sixth edition of the festival consists of an exhibition based on records of video performances, presentation of live performances and teleperformances.The Festival addresses a reflection on issues such as the notion of identity, plurinationality, the construction of identification, inequality or regional affiliation, as well as the creation and development of a national corporality as a result of independence and postcolonial thought.

Director & Curator Hector Canonge

 “meaning to be hidden”

The concept of the performance follows a strict choreography, the performer reflects in carefully executed movements the notion of dignity in relation to time, silence, the power of solitude and life. It points out that every living being and every object has a dignity and its time. In addition, it deals with the concepts of desire and uselessness. Desire for uselessness is not about chasing uselessness, but about finding meaning in the seemingly impractical through creativity, criticism and insight. Let us consider desire as an energy, not a void. When desire is freed from the constraints of utility, it becomes a force that can lead us to new ideas and forms of expression, showing that the useless has its own productivity.





https://www.facebook.com/latitudesperformanceartfestival/



Montag, 20. Januar 2025

Postcards from the Edge

My contribution to Visual AIDS “Dark Red Cloth” / a motif from the Alex & Anna portfolio

Postcards from the Edge – Benefice for Visual AIDS

24.01.- 26.01.2024

Berry Campbell Gallery 524 West 26th Street New York, NY 10001, USA

Founded in 1988. VISUAL AIDS is the only organization fully committed to raising Aids awareness and creating dialogue around HIV issues today, by producing and presenting since 1998 the annual visual art project -Postcards from the Edge-

http://postcards.visualaids.org./








Sonntag, 12. Januar 2025

3rd International Print Triennial in Cieszyn

 My print work “to the sky” will be presented at

3rd International Print Triennial in Cieszyn

Theme: City Horizons

15.01.2025 – 07.02.2025 (Opening 15.01.2025 at 13.15 h)

University Gallery, 62 Ul. Bielska , Cieszyn, Poland